- Feature - Rhythm and Vines Music Festival
- Feature - The Good, the Bad, and the Ugly
- Feature - Poetrypalooza & The Zzyzx Writerz
- Feature - To Sleep Perchance to Dream
- Feature - The Gypsy Heart of Rival Sons
- Feature - The Art of Michael LaBash
- Feature - Uncorked & Unscrewed
- > Columns
- TODAY'S NEWS AND HOOTS
- Fiction
- Poetry
- Politics
- Art
- Culture
- Music
- Feature - The Failures of Libertarianism
- Cinema
- Back
- Notes From A Polite New Yorker
- Tommy Digital's Pussy Cocktails
- The Octopus Files
- Wasims Rants
- The Guys You'll Meet on Earth, But Not in Heaven
- Slippery Id
- Compromises
- The Shameful Truth
- Writing for the Sake of It
- Void Creation
- Frankly Speaking
- Back
- > 2008
- > 2001 - 2007
- > January 2009
- June 2009
- Kotori Audio Pix - August 09
- Feature - DREDG : The KOTORI Video Interview
- > July / August 2009
- Feature - Fahrenheit 911: Is it all Just an Illusion?
- > October 2009 - 2010
- Feature - Citizens United and The Chamber of Congress
- Feature - Dreamend: The Kotori Interview
- > January 2011
- Back
- August 2008
- > September 2008
- CDz BOOKz and DVDz - September 08
- Black President (VIDEO)
- June 2008
- April 2008
- March 2008
- May 2008
- January 2008
- February 2008
- July 2008
- Feature - Richard Taylor To The Max
- RNC COVERAGE...SORTA
- Feature - Marty Beckerman's Amazing Testicles
- Feature - Brendan Canning
- > October 2008
- > November 2008
- Back
- Feature - Consent of the Governed
- Feature - The White Voters Burden
- Feature - McCains America
- Feature - Sen Dog
- CDz BOOKz and DVDz - October 08
- Art of Nancy Baker
- Back
- What's Bots & What's Rot
- Feature - Best Superhero Adaptations
- Feature - Tobacco Speaks
- Feature - Cinema 16 Returns For A Sequel
- Back
- Feature - Positive Vibration
- Feature - House of Cards
- Feature - All Together Now
- Feature - Roasting the Pigs of War
- Feature - Ex Post Facto
- Back
- Feature - Detroit is Burning
- Feature - Kottonmouth Kings
- Feature - The Paintings of Steve Smith
- Feature - The Beat Goes On
- Back
- Back
- Feature - 666 Reasons Sentient Citizens are Still Celebrating the Long Overdue Departure of George W. Bush
- Feature - The Real Kevin Coughlin
- Feature - Memorial Day for the U.S. of A.
- Feature - The Times They Are A-Changin'
- Feature - The Art of Victoria Horken
- Eating Like a Tibetan
- Feature - A Chat with Captain Puscifer
- Feature - 2010 Adult Entertainment Expo
Cannibal Holocaust
What "The Blair Witch Project" ripped off...or at least, tried to.
CANNIBAL HOLOCAUST
I just had to write this review on director Ruggero Deodato’s cult classic that was the direct inspiration for The Blair Witch Project. Those of you who think The Blair Witch was original haven’t seen Cannibal Holocaust, which proves once again how inferior American imitation films are to their Italian counterparts.
I must confess that upon first viewing of this film, I was very put off and repulsed. I could not see the artistic genius this film conveyed through its violent imagery. But after viewing Blair Witch and then reading the many online reviews comparing the two films, I decided to go back and watch Cannibal Holocaust again from a different perspective. During the second viewing I must have captured something, either that or The Blair Witch is just soooooo bad it makes garbage like Cannibal Holocaust seem like Acapulco gold.

Anyway, cutting to the chase, an award winning documentary crew, three guys and a gal, take off to the jungles of South America to make a documentary on a tribe of native cannibals. They disappear without a trace, so a rescue team is sent in to find out what happened. They find the skeletal remains of the original expedition, along with undeveloped cans of film reels. Taking the film reels back to New York, it is developed and screened by a group of anthropologists to determine what happened to these folks during their expedition.
If this doesn’t sound like The Blair Witch Project to you, then evidently you haven’t seen The Blair Witch, or weren’t paying much attention. In any case, both are about a documentary film crew braving the wilds and disappearing. Both feature relatives of the victims being interviewed by a news team, and both wind up with the primary plot being the recently discovered “lost film reels” that will give an insight into what really happened.
The only real difference between the two films is Ruggero Deodato slick use of camera work, excellent synthesized score mixed with orchestra by Riz Ortolani, and extremely disturbing scenes of animal mutilation and graphic violence, all of which The Blair Witch lacked.
Cannibal Holocaust (1980)
Director: Ruggero Deodato.
Cast: Robert Kerman; Luca Barbareschi; Francesca Ciardi, and Salvatore Basile.
©Humberto Amador





lenses, etc.) as instruments of dexterity. What they were able to do so well was distort point of view and, moreover, use POV as a way of getting that much closer to their subject matter. This is what made their films intriguing and, obviously, what keep their films appealing to audiences after all this time. They stand the test of time not because of the blood spilled but because of the reflections in the blood.
Post your comment