- Feature - Hell Just Got Louder
- Feature - Siem Reap to Bangkok by Taxi
- Feature - Martin Luther King, Jr.'s Road to the Mountaintop
- Feature - Campervanning Across New Zealand
- Feature - Sandy Does Swindlehurst
- Feature - Penn Jillette
- Feature - Black Cat and White Dog Search for the Meaning of Life
- > Columns
- TODAY'S NEWS AND HOOTS
- Culture
- Fiction
- Politics
- Music
- Poetry
- Cinema
- Art
- Back
- Notes From A Polite New Yorker
- The Guys You'll Meet on Earth, But Not in Heaven
- The Shameful Truth
- Pulling At The Fringes
- These Altered States - America Trying to Become Itself
- Tommy Digital's Pussy Cocktails
- Frankly Speaking
- Campus Croons From the Middle of Nowhere
- Writing for the Sake of It
- The Octopus Files
- Void Creation
- Wasims Rants
- Slippery Id
- Compromises
- Back
- > 2008
- > 2001 - 2007
- > January 2009
- June 2009
- Kotori Audio Pix - August 09
- Feature - DREDG : The KOTORI Video Interview
- > July / August 2009
- Feature - Fahrenheit 911: Is it all Just an Illusion?
- > October 2009 - 2010
- Feature - Citizens United and The Chamber of Congress
- Feature - Dreamend: The Kotori Interview
- > January 2011
- Back
- August 2008
- > September 2008
- CDz BOOKz and DVDz - September 08
- Black President (VIDEO)
- June 2008
- April 2008
- March 2008
- May 2008
- January 2008
- February 2008
- July 2008
- Feature - Richard Taylor To The Max
- RNC COVERAGE...SORTA
- Feature - Marty Beckerman's Amazing Testicles
- Feature - Brendan Canning
- > October 2008
- > November 2008
- Back
- Feature - Consent of the Governed
- Feature - The White Voters Burden
- Feature - McCains America
- Feature - Sen Dog
- CDz BOOKz and DVDz - October 08
- Art of Nancy Baker
- Back
- What's Bots & What's Rot
- Feature - Best Superhero Adaptations
- Feature - Tobacco Speaks
- Feature - Cinema 16 Returns For A Sequel
- Back
- Feature - Positive Vibration
- Feature - House of Cards
- Feature - All Together Now
- Feature - Roasting the Pigs of War
- Feature - Ex Post Facto
- Back
- Feature - Detroit is Burning
- Feature - Kottonmouth Kings
- Feature - The Paintings of Steve Smith
- Feature - The Beat Goes On
- Back
- Back
- Feature - 666 Reasons Sentient Citizens are Still Celebrating the Long Overdue Departure of George W. Bush
- Feature - The Real Kevin Coughlin
- Feature - Memorial Day for the U.S. of A.
- Feature - The Times They Are A-Changin'
- Feature - The Art of Victoria Horken
- Eating Like a Tibetan
- Feature - A Chat with Captain Puscifer
- Feature - 2010 Adult Entertainment Expo
Legions of Boom
They came, they raved, they conquered. Once upon a time there were two fine young lads. They had a burning passion for rave-olutionary music, but they were stuck in a town that lived off the fizzing passion of plastic palm trees, stucco empire state buildings, a cocaine bloodline, false hopes and dreams of riches, sports books, slot machines, and career hookers. Not exactly fodder for well-balanced and well-informed maturity. Unable to quench their insatiable thirst for music and art with a purpose...with a soul...they packed up their things and moved to Los Angeles. Sure, another plastic town, but at least there they could get a better balanced dose of rhythm and basslines than a town owned by the likes of Wayne Newton and Englebert Humperdink.
As soon as they made it to the coast, they wasted no time in branding their dance-floor friendly breakbeat style into the hearts, hips, and heads of the then exploding rave community. Through their live sets with tried and tested musicians, their legendary globetrotting dj sets, two studio albums, countless singles and collaborations with artists such as the Roots’ Rahzel and Rage Against the Machine/Audioslave’s guitar-god Tom Morello, and an aggressively lucrative career in music licensing, the Western Hemisphere’s answer to the Chemical Brothers have returned to their style of hard-hitting, b-boy pleasing, orgasmic raving breakbeat roots. Moving through the deep downtempo break-hop of “American Way” (featuring human beatbox Rahzel), into the funktacular bloopy breaks of “High and Low,” and into the rockabilly electro-silly “Born Too Slow,” and the full blown bass heavy electronic breakbeat epic “Weapons of Mass Distortion,” the Crystal Method’s latest studio effort, “Legions of Boom” proves a culmination of the powerful aural force that they have become. Though it would have been nice to see a deviation from their battle-tested formula just for the sake of evolution's purposes, there's no doubt that this is a top-knotch expertly programmed electronic album.




